Art in the Close – Norwich Cathedral

Norwich Cathedral has unveiled a new exhibition of outdoor art this Autumn – part of a rolling programme of arts that celebrates the cathedral’s rich artistic heritage.

Norwich Cathedral unveils rolling programme of new outdoor sculpture – Art in the Close

Art in the Close will see the Cathedral Close become the inspirational setting for a mix of works by artists, Lynn Chadwick and John Maine.

The exhibition is the idea of the Dean, the Very Revd Dr Andrew Braddock, who hopes hosting contemporary art in the historic setting will inspire visitors old and new alike and continue the Cathedral’s rich history of celebrating the arts.

He said:

“From its foundation in 1096, Norwich Cathedral has been a place that celebrates the arts and creativity. 

‘The Cathedral itself is a place of international cultural significance, offering a rich treasure trove of artistic work from architecture and sculpture to embroidery, paintings and glass, as well as its outstanding musical heritage.

“The launch of Art in the Close marks the next phase in this long tradition. 

‘In the conjunction of art, space and Cathedral we are invited to see life through fresh eyes, just as the Cathedral itself invites us to nurture a sense of wonder in a place where heaven and earth come close,’ he added.

The Cathedral Close will provide the setting for the rolling programme of contemporary sculpture.

Lynn Chadwick’s angular steel work Sitting Figures, 1989, can be spotted in the Lower Close.

The Cloister will host two of John Maine’s striking stone works, with a further seven abstract sculptures by the artist on display in Almary Green, near the main entrance to the Cathedral Close at the Ethelbert Gate.

John Maine RA, who is a member of Norwich Cathedral’s Fabric Advisory Committee, said:

“I have come to know the Cathedral well over recent years and it is a privilege to have the opportunity to explore it further through my sculpture.

“Norwich combines an ancient monastic tradition with contemporary life, and art can reflect both aspects. 

‘With this in mind, I have set out a collection of related sculptures that punctuate the spaces on a human scale, rather than displaying a single monumental piece.

“The distance between these works is part of their story: the space around a sculpture is integral.”

Among John Maine’s sculptures on display is Pinnacle, 2018. Carved from blue Brazilian granite and standing proud on the Cloister Garth, its vertical form echoes the Cathedral’s own soaring spire.

Meanwhile Definition in Five Parts is a quintet of geometric granite works that draws people to explore the Cloister’s east walk. Seven more stone works, positioned within specially mown paths in the grassland of Almary Green, create a unique installation all of their own next to the Ethelbert Gate.

Juxtaposed with the stone of John Maine’s sculptures is the stainless steel silhouette of Lynn Chadwick’s Sitting Figures, 1989, on loan from the Estate of Lynn Chadwick.

Art in the Close will run from September 2025 until Spring 2026 in Norwich Cathedral’s Close.

The exhibition is free for all to explore. From early September, a £2 Art in the Close guide will be available for purchase from the Cathedral Shop.

For all the latest details about Art in the Close, click here.

The Dean and Chapter gratefully acknowledge the generous support and encouragement that has enabled the launch of Art in the Close. In particular thanks are due to John Maine RA, Southern & Partners – Artist Management, the Estate of Lynn Chadwick, and members of the Norwich Cathedral Fabric Advisory Committee and the Norwich Cathedral Exhibitions Panel.

Photo Credit – Bill Smith